These color photographs were taken between 1909 and 1912 by photographer Sergei Mikhailovich Prokudin-Gorsky (1863-1944) with the support of Tsar Nicholas II.
He used a special camera that successively took three black and white photographs through red, green and blue filters. This allowed them to later be recombined and projected using flashlights with filters to produce photos with almost natural colors. Due to the high quality of the photographs, coupled with the bright colors, it is difficult for viewers to believe that these photographs were taken 100 years ago, before the October Revolution and even before the First World War.
Post sponsor: The series is in excellent quality.
An Armenian woman in national costume poses for a photograph on a hill near Artvin (now part of Turkey) in 1910.
Self-portrait near the Korolistskhali River, ca. 1910. Prokudin-Gorsky, wearing a suit and hat, sits on a rock by a river in the Caucasus Mountains, near Batumi, on the eastern coast of the Black Sea.
Kasli craftsmen at work, approximately 1910. Photo from the album “Views of the Ural Mountains, overview of the industrial area, Russian Empire.”
A woman sits in a quiet place on the Sim River, which is part of the Volga basin, 1910.
Chapel on the site where the city of Belozersk was founded, 1909.
View of Tbilisi from the Church of St. David, 1910.
Isfandiyar Yurji Bahadur, Khan of the Khorezm region (Khiva, now part of modern Uzbekistan), c. 1910.
Detail shot of Isfandiyar Yurji Bahadur. This photograph was taken early in his reign in 1910, when he was 39 years old. He ruled Khorezm until his death in 1918.
Generators made in Budapest, in the hall of the generating station in Yolotan, Turkmenistan, on the Murghab River, 1910.
Pinkhus Karlinski is 84 years old, 66 of which he served in the army. Controller of the Chernigov sluice gates, which are part of the Mariinsky Canal system. The photo was taken in 1909.
A group of Jewish children with a teacher in (now Uzbekistan), 1910.
Laying cement for the dam's sluice in 1912. Workers and foremen pose for a photo after taking a moment to prepare for the pouring of cement for the foundation of the sluice gate of the dam across the Oka River, near Beloomut.
A Sart woman wearing a burqa in Samarkand, Uzbekistan, circa 1910. Before the revolution of 1917, the word “sarts” was used to describe Uzbeks living in Kazakhstan.
Prokudin-Gorsky rides along the rails of the Murmansk railway on a handcar near Petrozavodsk, along Lake Onega in 1910.
General view of Rostov from the bell tower of the All Saints Church.
You've probably heard everything about this man. Color photographs of the Russian Empire are definitely associated with this photographer. He left us unique photographs of the past of our Motherland. In fact, there are a lot of works and photographs (here is one of their large archives). I suggest you look at his work again and read more about it amazing person ahead of its time!
Shaitansky plant, which ceased operation in 1905.
At first glance it may seem that this photograph was taken in our time, but no, this photograph is already a hundred years old. The photograph shows the author of this photograph, Sergei Mikhailovich Prokudin-Gorsky. In 1909, he received an order from Nicholas II to leave a personal document about the past so that he could study the history of the Russian Empire from such color photographs.
Polotsk Nicholas Cathedral.
Continents. Chapel in the name of the Mother of God and the pine tree on which the icon appeared.
Rare color photographs of Prokudin-Gorsky (70 photos)
Having recently accidentally stumbled upon a colorful photograph of an old Sart online, I didn’t think much of it. special significance because the photo was in color. Well, a photograph is just like a photograph. Some old man in a robe, no different from the refugees from Tajikistan-Afghanistan who often appear in lately on TV screens, and even on the streets of our city. Photographer Prokudin-Gorsky.
Soon, during a conversation online, this name came up again in a conversation about the virtual library of the US Congress. I rushed to the Library of Congress website and spent the rest of the night downloading file after file of amazing pictures of life. Russian Empire, captured in color by photographer Sergei Mikhailovich Prokudin-Gorsky at the beginning of the last century.
Having become interested primarily in photographs from the Central Asian cycle, taken in 1911, I involuntarily looked through in search of the required material dozens of pictures. Gradually the shock of the fact that these were COLOR photographs of the early 20th century wore off. I saw animated paintings and illustrations of Russian classics. Magnificent landscapes. A series of ethnographic photographs depicting representatives of many peoples of the empire. Household sketches, industrial paintings of the era of young Russian capitalism.
Looking through slide after slide, I felt a change in my understanding of pre-revolutionary Russia. She turned out to be somewhat different than what she had seen from the books she had read and the films she had seen. Books make the imagination work - and it is subjective. Old photographs are usually of such poor quality that they appear dead and contrived. Films are generally staged, and there were practically no documentary films at that time. Photographs by Prokudin-Gorsky captured full-color paintings from real life. Later I read Sergei Mikhailovich’s statement about photography’s contribution to the cause of education: “Memory, supported visually, thanks to an interestingly presented subject, will far surpass our usual methods of memorization.”
And yet, where did color come from a hundred years ago?
How was this done?
After all, just recently - 30-40 years ago, color photography was exotic. I also remember pseudo-colored painted photographs...
A talented chemist, a keen photographer, a graduate of the St. Petersburg Institute of Technology, Prokudin-Gorsky by 1906 published a number of articles on the principles of color photography. During this period he improved so much new method, which ensured the same color sensitivity across the entire spectrum, which could already take color photographs suitable for projection. At the same time, he developed his own method of transmitting color images, based on dividing colors into three components. He shot objects 3 times through 3 filters - red, green and blue. This resulted in 3 black and white positive plates.
To subsequently reproduce the image, he used a three-section overhead projector with blue, red and green light. All three images from the three plates were projected onto the screen simultaneously, as a result of which those present were able to see full-color images. Being by 1909 already famous photographer and editor of the magazine "Amateur Photographer", Sergei Mikhailovich got the opportunity to fulfill his old dream - to compile a photo chronicle of the Russian Empire.
On the recommendation of Grand Duke Michael, he outlines his plan to Nicholas II and receives the most ardent support. Over the next few years, the government provided Prokudin-Gorsky with a specially equipped railway carriage for travel to photographically document the life of the empire.
During this work, several thousand plates were filmed. The technology for displaying color images on the screen has been developed.
And most importantly, a gallery of beautiful photographs has been created, unprecedented in quality and volume. And for the first time, such a series of photographs was separated into colors. Then only for the purpose of displaying it on the screen using an overhead projector.
The further fate of these photographic plates is also unusual. After the death of Nicholas II, Prokudin-Gorsky managed to travel first to Scandinavia, then to Paris, taking with him almost all the results of many years of work - glass plates in 20 boxes.
“In the 1920s, Prokudin-Gorsky lived in Nice, and the local Russian community received the precious opportunity to view his paintings in the form of color slides. Sergei Mikhailovich was proud that his work helped the young Russian generation on foreign soil to understand and remember what it looked like their lost homeland, in its most in real form, preserving not only its color, but also its spirit."
The collection of photographic plates survived both the numerous moves of the Prokudin-Gorsky family and the German occupation of Paris.
At the end of the 40s, the question arose about the publication of the first “History of Russian Art” under the general editorship of Igor Grabar. Then - about the possibility of supplying it with color illustrations. It was then that the translator of this work, Princess Maria Putyatin, remembered that at the beginning of the century her father-in-law, Prince Putyatin, introduced Tsar Nicholas II to a certain professor Prokudin-Gorsky, who developed a method of color photography by color separation. According to her information, the professor’s sons lived as exiles in Paris and were the custodians of a collection of his photographs.
In 1948, Marshall, a representative of the Rockefeller Foundation, purchased about 1,600 photographic plates from the Prokudin-Gorskys for $5,000. Since then, the plates have been kept in the Library of Congress for many years.
Recently, someone just came up with the idea of trying to scan and combine 3-plate photographs of Prokudin - Gorsky on a computer. And almost a miracle happened - it seemed that the images, lost forever, came to life."
Author Sergei Mikhailovich Prokudin-Gorsky
1909, Russua. Three generations. A.P. Kalganov with son and granddaughter. The last two work in the shops of the Zlatoust plant.
I recently made a selection of photographs by Prokudin-Gorsky for my English-language blog. Let him hang here then, since he’s done the work. The only thing I don’t have the strength to do is redo the signatures in Russian. Sorry, but the signatures will be in English. But in Russian I will add a small accompanying text.
It seems like everyone has heard about Prokudin-Gorsky, especially after Parfenov’s film “The Color of the Nation” (it was interesting, of course, to see the excitement around something that had been known for a long time). A good selections By the way, I have never met photographs of one of the first color photographers in the world. It is clear that Sergei Mikhailovich was primarily a chemist. However, he devoted so many years to his favorite work that over time he began to take good photographs, and not just capture reality.
If we talk about history, then formally Prokudin-Gorsky was not the first photographer to shoot in color. At a minimum, before him there were James Clark Maxwell, Gabriel Lipman, Frederick Ivis, Herman Vogel, Louis Ducos du Auron, Charles Cros, John Joly, and in parallel with him Rudolf Fischer, George Eastman, Leopold Mann, Leopold Godowsky, the Lumière brothers and Adolphe Mitya, whom Sergei Mikhailovich considered his teacher and from whom he borrowed the design of the camera he later improved.
However, none of these people left a photographic legacy; almost all of them were primarily scientists, chemists, physicists and discoverers. They created the theory of color separation, developed and improved technology, discovered sensitizers, light-sensitive plates and chemicals. But none of them took photographs.
Prokudin-Gorsky not only improved the achievements of his predecessors from a technological point of view (he has quite a few chemical inventions to his credit), but also took more than 4,000 photographs in different parts of the planet. Unfortunately, thanks to the events of 1917, just under 2,000 plates have survived to this day, and they were preserved solely due to the fact that they were taken out of Russia and are currently in the US Library of Congress.
When Prokudin-Gorsky’s photographs are shown, most often they are talking about photographs of Russia. Not everyone knows that, in addition, Sergei Mikhailovich filmed in Ukraine, Belarus, the territories of modern Georgia and Uzbekistan, Tajikistan, Kyrgyzstan, Azerbaijan, Turkey, Latvia, Finland, France, Switzerland, Germany, Denmark, Italy and Austria. But most The photographs that have reached us were actually taken within the territory of what was then Russia.
Typically, collections of photographs by Prokudin-Gorsky consist of landscape pictures and attract the attention of history buffs rather than photography. There are special sites where people study the legacy they left behind, find the places where the photographs were taken, take a photo from the same angle and create a library of comparisons “100 years later”. All this is probably very interesting, but I personally have never been interested. More precisely, interest in postcards of species fades away quite quickly; it’s worth looking at a couple of dozen. But I can look at photographs of people for a very long time and return to them many times.
Despite the fact that Prokudin-Gorsky does not have many photographs of people, he does have them. In this selection of 64 photographs, I decided to collect the best of them, plus literally added a couple of landscapes to complement the overall picture. All photos are enough good quality(1800 px on the long side). I corrected some of the color, but mostly I was satisfied with the reproductions from the website www.prokudin-gorsky.org.
2.
1907, Uzbekistan. Chained prisoners, Bukhara
3.
1911, Uzbekistan. Emir of Bukhara. Bukhara
4.
1911, Russia. Dagestani types, village of Arakani
5.
1907, Uzbekistan. Prison of the town of Bukhara.
6.
1907, Uzbekistan, Bakery in the town of Bukhara
7.
1916, Russia. On the handcar outside Petrozavodsk on the Murmansk railway
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1910, Russia. Work at the Bakalskii mine, Tiazhelyi iron mine. Irkuskan hill near Bakal
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1907, Kyrgyzstan. At the Saliuktin mines.
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1909, Russia. Peasant girls, Topornya village
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1909, Russia. Dagestan, village of Arakani, Lezgian
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1912, Georgia. Georgian women, in the park of Borzhom
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1912, Georgia, Cotton. In Sukhum Botanical Garden
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1912, Azerbaijan. Mugan. Settler's family. Settlement of Grafovka, Grafskii
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1911, Uzbekistan. Sart types. Samarkand
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1911, Uzbekistan. Nazar Mahomet. Golodnaia Steppe
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1911, Uzbekistan, Nomadic Kirghiz. Golodnaia Steppe
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1910, Russia. Spinning yarn. In the village of Izvedovo
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1911, Russia. His Highness Khan of Khiva in Winter Palace, Saint Petersburg
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1912, Russia. Laying concrete for the dam's sluice. Near the village of Beloomut
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1911, Uzbekistan. Doctors. Samarkand
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1912, Turkey. Mullah with his female students near the Artomelinskaia mosque in Artvin
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1910, Russia. Bashkir switchman. Near Ust-Katav station
24.
1912, Turkey. Armenian woman in holiday attire, Artvin
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1909, Russia. Ostrechiny. Study. Svir River
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1912, Georgia. Mullahs in mosque. Aziziia. Batum
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1912, Azerbaijan, Mugan Steppe. Georgian woman in a folk costume
28.
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1916, Russia. Baling machine for hay. Near Kondopoga village
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1916, Russia. Austrian prisoners of war near a barrack, near Kondopoga village
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1916, Russia. Group. Near the lake of Vygozero
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1911, Uzbekistan. Bukhara bureaucrat. At the palace In the Emir's Shir-Budun garden near Bukhara
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1911, Uzbekistan, Shepherd. Samarkand
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1911, Uzbekistan. Sentry at the palace, and old cannons. In Registan square. Bukhara
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1911, Uzbekistan. At work on the upper reaches of the Syr-Darya. Golodnaia Steppe
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1912, Russia. Night camp by a rock on the bank of the Chusovaia
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1911, Uzbekistan. Camel caravan carrying thorns for fodder. Golodnaia Steppe
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1904, Ukraine. In Little Russia. Near the town of Putivl in Kursk Province
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Study with boys. Western Europe
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1912, Belarus. Harvested field. Vitebsk Province
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1909, Russia. Haying at the Leushinskii Monastery
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1911, Uzbekistan. Group of Jewish children with a teacher. Samarkand
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1908, Switzerland. At veranda in Lugano
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1912, Georgia. Packaging department. Borzhom
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1911, Uzbekistan. On the Registan. Samarkand
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1911, Turkmenistan. Supplying cotton to cotton-processing manufacture in the Murgab Estate. Bayram-Ali
47.
1911, Uzbekistan. Prime Minister of Bukhara (Kush-Beggi)
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1907, Uzbekistan. Students. Samarkand
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1911, Uzbekistan. Carpenter. Samarkand
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1911, Uzbekistan. Trader in the Registan. Samarkand
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1909, Russia. Northwest part of the town of Zlatoust
52.
1916, Russia. Group of railroad construction participants. On the pier in Kem-Pristan
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1911, Uzbekistan. Kebab restaurant. Samarkand
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1911, Uzbekistan. In the court of Shir-Dor mosque. Samarkand
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1909, Russia. Pinkhus Karlinskii. Eighty-four years old. Sixty-six years of service. Supervisor of Chernigov floodgate
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1911, Turkmenistan. Tekin with his family. Bayram-Ali area
57.
1911, Turkmenistan. Supplying cotton to cotton-processing manufacture. Bairam-Ali area, Murgab Estate
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1911, Uzbekistan. Water-carrier. Samarkand
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1911, Uzbekistan. Policeman in Samarkand
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1911, Turkmenistan. Workers packing butter cake. Bayram-Ali
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1911, Turkmenistan. Dzhigit Ibrahim. Bayram-Ali area
62.
1907, Kyrgyzstan. Observing a solar eclipse on January 1, 1907, near the Cherniaevo Station in the Tian-Shan mountains above the Saliukta mines
63.
1907, Uzbekistan. Elderly Sart man (Babaika), Samarkand
64.
1912, Georgia, On the Skuritskhali River. Study. Orto-Batum village. Self-portrait
See also
In our opinion, we present to your attention the most interesting material - everything 2500 unique color photographs Sergei Mikhailovich Prokudin-Gorsky (1863-1944)
from the US Library of Congress. They show live portrait of Russia on the eve of the First World War and the impending revolution. This includes images from medieval churches and monasteries of old Russia to railways and factories of a growing industrial power and everyday life and the work of Russia's diverse population.
In the early 1900s, Prokudin-Gorsky developed a bold plan to conduct a photographic survey of the Russian Empire, which received the support of Tsar Nicholas II. Between 1909 and 1912, and again in 1915, he surveyed eleven regions, traveling in a specially equipped railway carriage provided to him by the Ministry of Railways.
Prokudin-Gorsky used the most unique photography technology at that time, which made it possible to form color image
How did you manage to make the photos color?
As you know, color film was invented by the AGFA company only in the 1930s. A Prokudin-Gorsky photographed using special filters that made it possible to obtain three black and white images with different color information. At that time, a special projector with three lenses was used for viewing, each of which projected its own frame through a filter of the desired color shade. And only nowadays, especially with the advent computer technology, it has become possible to most accurately restore unique photographs in color. You can read more about the technology at Wikipedia >> .
About Sergei Mikhailovich Prokudin-GorskySergei Mikhailovich Prokudin-Gorsky(August 31, 1863, Murom, Vladimir province, Russian Empire - September 27, 1944, Paris, France) - famous Russian photographer, chemist (Mendeleev's student), inventor, publisher, teacher and public figure, member of the Imperial Russian Geographical and Imperial Russian Technical Societies . He made a significant contribution to the development of photography and cinematography. Pioneer of color photography, creator of the “Collection of Landmarks of the Russian Empire.” More detailed biography >>
Works of Prokudin-Gorsky
In 1909-1916 Prokudin-Gorsky traveled throughout a significant part of Russia, photographing ancient churches, monasteries, factories, views of cities and various everyday scenes.
The archive contains works from the following regions:
Examples of photographs by Prokudin-Gorsky:
Information about the archive of photographs of Prokudin-Gorsky:
The archive consists of photographs from the following sources:
From the library: 3400x3200 (1902 pieces + 122 restored) (All + rendered)
- Restoration on a folk project: 1024x1000 (242 pcs.) (museum)
- Foreign restorers: from 199x465 to 1280x1024 (64 pcs.) (low quality, for collection)
Sources:
1. Library of Congress - here you can find photographs in high quality, and also find information about a photo by file name.
2. Complete database of color images by S.M. Prokudin-Gorsky
Download the complete collection of color photos of Prokudin-Gorsky (2500 photos / JPEG / 5+GB)
!! ATTENTION!! The full archive is over 5.2 GB, and for your convenience it was divided into 5 almost equal parts measuring 1 GB. The division into archives is carried out in alphabetical order of file names.
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-3% of information for recovery has been added to the archives
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