Formally, the Fujifilm X-T1 ranks below the flagship X-Pro1, which boasts an original hybrid viewfinder. However, the flagship has a much weaker processor, continuous shooting is slower, and when recording Full HD video, only 24p mode is supported, and it does not have the now popular built-in Wi-Fi module. In general, it’s time for the flagship to retire - it was introduced quite a long time ago and has already become outdated.
The Fujifilm X-T1 has a new, much more powerful processor, a new matrix, a continuous shooting speed of 8 frames/s versus 6 for the flagship, 1080/60p video recording mode is supported, and there is also a Wi-Fi module with wide functionality. The camera body is protected from moisture and dust getting inside. The viewfinder, of course, is not as innovative as in the X-Pro1, but it is also quite good - an OLED matrix with a resolution of 2,360 thousand dots, that is, no worse than that of competitors from Sony.
⇡ Technical characteristics declared by the manufacturer
| Fujifilm X-T1 | |
|---|---|
| Image sensor | APS-C X-Trans II CMOS sensor with irregular color filter system |
| Effective number of points, MP | 16,3 |
| Image saving format | Photo frame: JPEG (EXIF 2.3, DCF 2.0), RAW Video: MOV (H.264) |
| Lens | Replacement lens Fujinion Super EBC XF 18-55 mm 1: 2.8-4.0 R LM OIS included |
| Frame size in pixels | Photo frame: up to 4896x3264 Video: up to 1920x1080 |
| Sensitivity, units in ISO equivalent | AUTO (with maximum ISO 6400) 200-6400; Extended sensitivity range: 100, 12800, 25600 and 51200 |
| Shutter speed range, seconds | from 30 to 1/4000; Long-term: up to 60 min |
| Exposure metering, operating modes | TTL metering in 256 zones, multi/spot/average |
| Exposure compensation | ±3 EV in 1/3 stop increments |
| Built-in flash | No |
| Self-timer, s | 2/10 |
| Storage device | SD/SDHC/SDXC(UHS-II) |
| LCD display | LCD display, 7.6 cm (3 inches), 1,040 thousand dots resolution |
| Viewfinder | 0.5" OLED color viewfinder with approx. 2,360 thousand points |
| Interfaces | HDMI, USB, external microphone |
| Additionally | Wi-Fi module |
| Nutrition | Li-ion battery NP-W126, 8.7 Wh |
| Dimensions, mm | 129x89.8x46.7 |
| Weight, g | 440 (incl. battery and memory card) 390 (body only) |
⇡ Delivery set and additional options
Unfortunately, an introductory sample for the press was provided for testing, the kit of which included only a battery, charger, standard lens and plugs for the “hot shoe” and for the battery pack connector. According to information on the manufacturer's website, a full-fledged boxed sample includes the following: NP-W126 lithium-ion battery, BC-W126 charger, EF-X8 external flash, shoulder strap, software disk (Viewer, Raw File Converter), as well as covers for bayonet mount, hot shoe, battery grip connector and synchronization contact.
Two vertical handles are available as options, one of which can be installed additional source autonomous power supply, a retro-style leather case, as well as an external microphone, an adapter for screw-on lenses, three flashes - with a guide number of 20 for the younger solutions and 42 for the older one. In general, there are traditionally few options. But there are no longer so few lenses in the company’s lineup, and all of them are good.
⇡ Appearance and ease of use
Externally, the Fujifilm X-T1 looks more like a classic DSLR than a rangefinder, which most “mirrorless” cameras are similar in appearance to. The cameras closest to it in design are the Olympus OM-D family. More specifically, the Olympus OM-D E-M1 also uses retro motifs in its appearance and it also looks like a DSLR, and in addition to this, it is also protected from moisture, like the camera under test. Overall, it is one of the main competitors of the X-T1.
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The Fujifilm X-T1's body is cast from magnesium alloy for high durability. In addition, the camera is protected from moisture and dust getting inside the body. According to the manufacturer, 80 sealing elements were used for this.
The handle on the front, which makes it easier to operate the camera, is much smaller than that of its main competitor, however, holding the camera with the included zoom lens is quite easy. And working with all the controls, of which there are many, is quite convenient. The only exceptions are the two-tier dial for selecting the sensitivity level and the drive mode, as well as the lever for selecting the focus mode, which require the use of a second hand to operate. However, you should not take this as a drawback, because thanks to the presence of a sensitivity control dial, the efficiency of work is higher than in the case of using a hot key and control dials, and you do not have to monitor the value on the screen.
There are quite a lot of different functional elements on the front side, but this does not make it seem overloaded. In addition to the bayonet mount, there is an autofocus illuminator lamp, a front control dial, a programmable function key, a focus mode selection lever, and a sync port, which is extremely rare in mirrorless cameras.
There are also quite a lot of controls at the rear. Most of The surface is occupied by an inclined display, above which there is a viewfinder, as well as delete keys and switching to viewing mode. To the right are the rear control dial, separate AE and AF lock buttons, the Focus Assist key, buttons for calling up the quick menu and changing the display display mode (aka returning one level back to the menu), as well as four programmable navigation keys, which are combined into a schematic ring and complemented by a menu/enter button in the center.
The upper part of the Fujifilm X-T1 body is replete with a variety of functional elements, which is why an untrained user’s eyes will run wild at first. However, even an untrained user does not need to get used to it for a long time, because all the controls are very convenient to use. In the center, on a small pedestal reminiscent of DSLRs, there is a “hot shoe”. To the left is a diopter correction dial, as well as a two-tier dial for selecting the drive mode and sensitivity, and to turn the latter you need to press the lock key in the center.
To the right there is a key for switching between the viewfinder and the display, a shutter speed dial complemented by a lever for selecting the metering mode, a dial for introducing exposure compensation, a shutter button with a power lever, as well as a programmable function key (by default, responsible for switching to wireless control mode) and a video recording button. It is worth noting here that the release key has lost the ability to install a mechanical release cable. Certainly, urgent need It doesn't, especially since it supports wireless control via smartphone, but it does make the Fujifilm X-T1 lose some of the charm of older film cameras. But the possibility of using a cable release in cameras model range Fujifilm is found not only in expensive retro-style cameras, but also in quite ordinary ultrazooms. All in all, it was possible to leave this “trick” at least as a tribute to tradition.
At the bottom, in addition to the usual battery compartment and tripod connector, there is a port for connecting the battery grip, hidden by a rubber plug.
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On the left side surface, under the rubber door, there are connectors for connecting USB and HDMI cables, as well as a combined connector for connecting a microphone or a wired remote control. On the right, under the plastic door, there is a memory card slot hidden, which in the case of mirrorless cameras is usually found only in the most expensive devices.
02.02.2014 25138 Tests and reviews 0
Fujifilm has introduced the X-T1, a mirrorless camera with interchangeable lenses. The new X-T1 was one of the most anticipated products from Fuji at the start of 2014, and was already known to photography enthusiasts in the final weeks leading up to the announcement - from photos to specifications.
So, what is the Fujifilm X-T1? Design. The new product looks very good, like all the latest Fuji products. The camera has only a black version of the body, which is cast from magnesium alloy and has 80 sealing points. This sufficiently protects the camera from external factors.
Behind the camera there is a screen that has a resolution of 1040 thousand pixels, and it is completely identical to the X-E2 screen - the same 3 inches diagonal with an aspect ratio of 3:2. The screen, however, has a special feature: it is tilted, which should be very convenient for photographers, and has tempered glass protection. The camera's built-in tilt sensor, in addition to standard horizon display and adding rotation information to the frame, can also rotate the interface.
The 2.36 million dot viewfinder makes the camera look more like a DSLR than anything else. The viewfinder is completely electronic. The viewfinder display is very good in terms of characteristics and can update the image 54 times per second. For comparison, this characteristic is equal to only 20 for the X-E2. The magnification rate is 0.77 versus 0.64 for the X-E2.
The viewfinder display has four operating modes:
“FULL” mode uses the high magnification factor of the X-T1 camera viewfinder, thanks to which the photographer sees the shooting scene as fully as possible.
- NORMAL mode provides optimal viewing, including shooting settings.
- DUAL mode is specially designed for manual focusing, with the display divided into two zones. At the same time, the normal viewing area and the manual focus area can be controlled simultaneously using the Digital Split ImageTM or Focus Peak Highlight functions)
- For portrait shooting in NORMAL and FULL modes, the interface automatically rotates when the camera is held vertically.
The camera will really appeal to retro lovers. There are as many as five mechanical dials on the top panel, two control dials on the front and rear panels, and six customizable function buttons. The top-mounted dual machined aluminum dials control shutter speed, exposure compensation, ISO sensitivity, and shooting mode selection. The design of each disc allows for changing modes with a clearly audible click, and the textured surface provides convenience when setting frame parameters.
The camera does not have a flash, but the manufacturer promises a small mini-flash for the hot shoe in the kit. The camera accepts UHS-II SD cards with maximum speed recording rate of 240 megabytes per second, internal memory stores up to 23 pictures in the maximum recording quality mode JPEG + RAW.
But the most delicious, of course, is hidden inside. The characteristics, of course, are not revolutionary, but quite decent. The sensor is identical to the X-E2 and X100S cameras - it is an X-Trans II with 16 megapixels. The new X-Trans II™ sensor features a phase detection autofocus system that responds in a record 0.08 seconds. The camera also allows you to shoot bursts of up to 8 frames per second with working autofocus. The X-Trans II sensor minimizes moire and color distortion thanks to an ingenious high-pixel color filter. This eliminated the need for an optical low-pass filter (OLPF), which results in loss of detail.
It processes the image in the same way as in the X-E2 and X100S - EXR Processor II. Light Modulation Optimum (LMO) for interchangeable lens cameras further enhances image quality. This technology, which takes into account the optical characteristics of individual lenses, is made possible by the joint development of the lens, sensor and processor. The company talks about improvements that make the X-T1 the fastest camera in the series: the processor allows the camera to move to the working position in 0.5 seconds, provides a shutter release of 0.05 seconds and an interval of 0.5 seconds between shots. In this case, the minimum shutter speed is limited to 1/4000, and flash operation is limited to 1/180.
Other characteristics of the new product are as follows: a Wi-Fi wireless adapter, a stereo microphone, USB 2.0 and HDMI interfaces, support for video recording with a resolution of 1920x1080 (30p, 60p) or 1280x720 (30p, 60p) pixels. The free FUJIFILM Camera Remote app and wireless connectivity let you shoot remotely using smartphones and tablets. The device weighs 440 g, dimensions - 129x90x47 mm.
Technical Fujifilm specifications X-T1
| Model name | FUJIFILM X-T1 |
|---|---|
| Image sensor | 16.3 million pixels 23.6mm × 15.6mm（APS-C）X-Trans II CMOS with irregular color filter system |
| Memory | SD / SDHC / SDXC(UHS-II) memory cards |
| File Format | Photos JPEG (Exif ver. 2.3), RAW (RAF format), RAW+JPEG (DCF (Design rule for Camera File)/DPOF standard support) Video Video file format: MOV Video compression: H.264 Sound: Linear PCM Stereo |
| Number of pixels saved | L：<3:2>4896ｘ3264 /<16:9>4896ｘ2760 /<1:1>3264×3264 M：<3:2>3456ｘ2304 /<16:9>3456ｘ1944 /<1:1>2304×2304 S：<3:2>2496ｘ1664 /<16:9>2496ｘ1408 /<1:1>1664×1664 Motion Panorama mode: L vertical：2160×9600 /horizontal：9600×1440 M vertical：2160×6400 /horizontal：6400×1440 |
| Bayonet | FUJIFILM X-Mount |
| Sensitivity (ISO) | AUTO (with maximum ISO6400) Equivalent to ISO 200-6400 (standard output sensitivity) Extended sensitivity range: ISO 100 equivalent, 12800, 25600 and 51200 |
| Exposure Control | TTL metering in 256 zones, multi/spot/average |
| Exposure mode | Programmable auto exposure (AE), shutter priority AE, aperture priority AE, manual exposure |
| Exposure compensation | 3.0EV to 3.0EV, 1/3EV step （video recording: -2.0EV to +2.0EV) |
| Image Stabilizer | Yes (when using a lens with optical image stabilization) |
| Face detection | Eat |
| Shutter type | Focal plane shutter |
| Shutter speed | P mode: 1/4 s to 1/4000 s Other modes: from 30 s to 1/4000 s Long (Bulb): (max. 60 min.) Time from 1/2 to 30 s Flash shutter speed synchronization: 1/180 sec. or less |
| Continuous shooting | Approx. 8.0 fps (JPEG: approx. 47 frames maximum Approx. 3.0 fps (JPEG: until card is full) |
| Automatic bracketing | Autoexposure bracketing (±1/3EV, ±2/3EV, ±1EV) Bracketing with film simulation (any of 3 types of film simulation to choose from) Dynamic Range Bracketing (100% - 200% - 400%) Sensitivity bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing （±1, ±2, ±3) |
| Focusing | Mode AF-S (Single AF) / AF-C (Continuous AF) / MF (Manual - distance indicator) Type Intelligent Hybrid AF (TTL contrast-detect AF and TTL phase-detection AF), with AF-assist illuminator AF area selection EVF/LCD: 49 dots 7x7 * Change the size of the AF frame (from 5 types to choose from) |
| White balance | Automatic scene recognition Custom, Selectable Color Temperature (K) Preset: Fine, Shade, Fluorescent (Daylight), Fluorescent (Warm White) / Fluorescent (Cool White), Incandescent, Underwater |
| Self-timer | 10 s / 2 s |
| EAT Settings: interval, number of shots, start time |
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| Flash | External Super Intelligent Flash EF-X8 (included) Guide Number: Approx. 8（ISO100 - m) / approx. 11 (ISO200 - m) |
| Flash Modes | Activated when an external flash is connected Red-eye removal function is OFF: auto, forced flash, low-speed sync, flash suppression, rear-curtain sync, master. Red-Eye Removal ENABLED: auto red-eye reduction, red-eye reduction and forced flash, flash suppression, red-eye reduction and low-speed sync, red-eye reduction and forced flash, leading. |
| External flash hot shoe connector | Yes (TTL flash compatible) |
| Viewfinder | 0.5" OLED color viewfinder with approx. 2,360 thousand points Frame coverage vs. crop area: approx. 100％ Exit Pupil: Approx. 23 mm Diopter adjustment: 4 m-1 to +2 m-1 Magnification factor: 0.77x with 50mm lens (35mm format equivalent) with focus at infinity and diopter setting at -1.0 m-1) Diagonal Viewing Angle: Approx. 38° (Horizontal viewing angle: approx. 31°) Built-in display switch off sensor |
| LCD display | Three-inch TFT color LCD display with approx. 1,040k dots, 3:2 aspect ratio and variable tilt (100% coverage） |
| Video recording | Full HD 1920x1080 60p/30p Continuous recording: approx. up to 14 min. HD 1280×720 60p/30p Continuous recording: approx. up to 27 min. * SD card class 10 or higher. |
| Film Simulation Mode | 10 types (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, PRO Neg Hi, PRO Neg. Std, MONOCHROME, MONOCHROME+Ye FILTER, MONOCHROME+R FILTER, MONOCHROME+G FILTER, SEPIA) |
| Setting the dynamic range | AUTO (100-400%), 100%, 200%, 400% |
| Advanced filter | Toy camera, Miniature, Pop color, High-key, Low-key, Dynamic tone, Soft focus, Color highlight : All colors are converted to b/w, but one choice remains in color (red, orange, yellow, green, blue and purple） |
| Photo functions | Automatic red-eye removal, settings (color, sharpness, dynamic range, gradation), custom settings, panoramic photography, color space, framing grid, frame number memory, histogram display, depth of focus preview, lens light modulation optimization, pre-AF, focus check, focus center highlight, digital split image, electronic level, multiple exposure, time-lapse, release priority / focus priority selection, function button settings (RAW, video shooting, etc.), automatic ISO control, auto focus setting (AF-S/AF-C) |
| Viewing functions | RAW conversion, image rotation, red-eye reduction, Photobook assist, delete selected photos, multi-frame playback (with thumbnail display), slide show, mark files for upload, protect, crop, resize image, panorama, favorites |
| Standard Wi-Fi 802.11b/g/n (standard wireless protocol) Access mode depending on wireless network settings | |
| Wireless functions | Image transfer, geotagging, viewing and receiving images, remote shooting, auto-saving on PC |
| Other functions | PictBridge, Exif Printing, Language Selection, Time Difference, Quick Start Mode, Silent Mode |
| Connector | Video output - Digital interface USB2.0（High-Speed) / Micro USB * RR-90 Remote Shutter Release Connector (sold separately) HD Out Mini-HDMI Connector (Type C) Others Microphone/External Shutter Button Connector 2.5mm Stereo Mini Jack |
| Nutrition | Li-ion battery NP-W126 (supplied) |
| Dimensions | 129.0 (W) mm x 89.8 (H) mm x 46.7 (D) mm (Minimum depth: 33.4 mm) - no protruding parts |
| Weight | Approx. 440 g (including weight of battery and memory card) Approx. 390 g (excluding accessories, battery and memory card) |
| Use temperature | -10°C - +40°C |
| Relative humidity of use | 10 - 80% (no condensation) |
| Battery capacity for photos | Approx. 350 shots (with XF35mmF1.4R lens attached, LCD monitor/viewfinder on, supplied EF-X8 flash not attached) |
| Battery capacity for video | Sequential Video Recording: Approx. 103 min. (Face Detection Mode OFF) *Individual roller length cannot exceed approx. 14 min. in Full HD mode and approx. 27 min. in HD mode. |
| On time | Approx. 0.5 s in High Performance mode (set to ON) Approx. 1.0 s when High Performance mode is OFF |
| Accessories included | Li-ion battery NP-W126 Charger BC-W126 External Flash EF-X8 Shoulder strap Mount cap Protective coating Clamping tools Hot shoe cover for connecting an external flash Vertical Battery Connector Cover CD-ROM Sync Contact Cover (Viewer Software, Raw File Converter, etc.) User Guide |
Many people buy Fujifilm X-series mirrorless cameras for reasons other than nostalgia. This manufacturer has established itself very well in the system camera market, producing excellent cameras that have won numerous awards and received high praise from leading reviewers.
The Fujifilm X-T1 received a Gold Award from dpreview.com and the TIPA Awards in 2014. This camera is equipped with a very wide arsenal of advanced features that put it in an advantageous position compared to other DSLRs and mirrorless cameras in its price category.
The Fujifilm X-T1 offers features that will delight many photographers. Below we will take a closer look at this camera and compare it with the X-E2 and Olympus OM-D E-M1.
Fujifilm X-T1
X-T1 is the most expensive mirrorless camera in Fujifilm's X-series (excluding cameras with fixed lens, such as the X100S), which costs about $300 more than the X-Pro 1. But the price tag is justified by the features.
Fujifilm X-T1 is designed according to the most high standards. The camera is distinguished by exceptional build quality, a magnesium alloy body, protection from moisture, dust and low temperatures down to -10 ° C. It competes well with the E-M1 and X-T1 models.
The X-T1 has a classic retro design and features plenty of analogue controls. There are three dials on the top panel: for exposure compensation, shutter speed and ISO sensitivity. There are six programmable function keys, a metering mode dial under the shutter speed dial, and exposure lock and autofocus (AE-L/AF-L) buttons.
Fujifilm X-T1 top view
Physical controls offer quick access to popular settings, even when the camera is turned off.
Of course, the X-T1 was created for serious photographers who understand the usefulness of having a variety of buttons and dials for quick operation of the camera, which is important for capturing a successful shot.
The X-T1 is very compact. It's larger than the X-E1, but noticeably smaller and thinner than an entry-level DSLR like the Nikon D3300. The developers have provided good spacing in the placement of controls, so the thumb rests comfortably, but the camera lacks the grip of the E-M1. However, users have the option of purchasing Fujifilm's MHG-Xt Vertical Battery Grip (Large and Small) for the X-T1, which provides a comfortable grip and stabilizes shooting, duplicates the camera's controls, and has the same weather sealing as the body cameras.
On the back of the camera you'll find a relatively very large (0.77x) and bright "multi-mode electronic viewfinder" with a display latency of 0.005 seconds (the fastest in the world according to Fujifilm's website). Its resolution is 2360 thousand dots, uses an OLED panel and offers 100% coverage. The manufacturer has also redesigned the viewfinder user interface to improve shooting quality. This gives you a near-real-time view of the scene with stunning, vibrant colors, which is especially valuable for advanced photographers.
At the heart of the X-T1 is a large 16-megapixel APS-C format X-Trans CMOS II sensor. This sensor uses Fujifilm's proven innovative color filters to improve image quality by reducing moiré and color aberrations. It effectively eliminates the need for an optical low-pass filter, allowing the camera to capture images with increased detail.
The X-T1 also features Lens Modulation Optimizer technology, which is available on every XF lens. Using data from the lens, sensor and image, the camera takes care of getting the most high quality images for a specific frame with specific lens and camera parameters. In the end, you'll end up with a frame that has less optical aberration and retains more detail.
Other characteristics include: a 3-inch tilting LCD display with 1040 thousand dots, a continuous shooting speed of 8 frames per second, the ability to remotely shoot through a special smartphone application and the Wi-Fi module built into the X-T1, Full HD 1080p60 video recording, autofocus speed 0.08 sec., maximum sensitivity ISO 51200 units, EXR II processor (0.5 sec. start-up time, 0.5 sec. shooting interval, 0.05 sec. shutter delay), single-frame shooting function (timer with intervals from 1 sec. to 24 hours and up to 999 frames), film simulation function, automatic bracketing for white balance, HDR, film simulation, AE and ISO.
Among the main advantages of this mirrorless camera, of course, is the ability to use high-quality interchangeable lenses from Fujifilm. Although the price for them is quite high, for example, the XF 18mm f/2.0 lens costs about $500, the 35mm f/1.4 sells for $600, the 55-200mm f/3.5-4.8 XF costs about $700. Even 18 -55mm with f/2.8-4 aperture costs about $700. This fact is worth considering before purchasing a camera.
Many people like the X-T1's analog controls, which allow you to change settings even when the camera isn't turned on. This way you can quickly prepare your camera for the next shot.
The X-T1 is a fairly expensive camera, but advanced photographers will appreciate its additional features. He looks like worthy replacement DSLRs, although we haven't yet compared it to the flagship E-M1.
Fujifilm X-E2
The Fujifilm X-E2 mirrorless camera was released on October 18, 2013. Its price is lower than the X-T1, but it is packed with a wide range of additional functions, which will satisfy the needs of many enthusiastic photographers. The X-E2, like the X-T1, received positive reviews from many reviewers who praised it.
The design of the X-E2 is made in a classic style. The body is made of plastic, the top and base plates are made of cast magnesium alloy, the finish is made of textured leatherette, and the disks on the top panel are made of metal. All this gives the X-E2 a unique retro style that appeals to many photographers.
Unlike the X-T1, which is replete with buttons and dials, the X-E2 has fewer physical controls. However, there is a shutter speed dial and an exposure compensation dial, as well as four customizable function buttons.
The camera was equipped with an X-Trans CMOS II sensor and an EXR II processor. The sensor's unique color array eliminates the need for an anti-aliasing filter to achieve greater image detail and resolution. The X-E2 uses the same Lens Modulation Optimizer technology as the X-T1 for additional optimization depending on the type of lens used and its settings.
On the back, you'll find a 2360k dot OLED electronic viewfinder with 0.005 sec latency. It provides an excellent, clear view of the scene without distortion. It makes it easier to compose a shot both during the day and at night. Unlike the X-T1, where the viewfinder is centrally located and has a large bump at the top of the camera, the X-E2 has it on the left side and does not affect the dimensions of the body. This viewfinder provides a wide 24-degree horizontal viewing angle and a flexible diopter adjustment range of -4m-1 - +2m-1.
The X-E2 also features a hybrid autofocus system with a speed of 0.08 sec. (as in the X-T1) with phase detection pixels embedded in the matrix, which allows the camera to take advantage of both types of autofocus. The camera can even automatically switch between them depending on the scene being shot.
Video from Digital Camera World.
The startup time of the X-E2 is also 0.5 seconds, the shooting interval is 0.5 seconds. and a shutter delay of 0.05 seconds, as in the X-T1. Other features: 7 fps continuous shooting speed, Motion Panorama function, in-camera RAW converter, Multiple Exposure mode, Auto Bracketing mode (for exposure, Film Simulation, HDR, ISO), wireless file transfer using built-in Wi-Fi module ( you can send up to 30 photos at a time), auto geotagging of images by extracting location data from a smartphone with the Fujifilm Camera Application installed. The X-E2 also features a Film Simulation mode, Full HD 108p60/30 video recording, and a mic input for connecting an external stereo microphone to enhance audio recording quality.
The Fujifilm X-E2 was designed to appeal to a wide audience of enthusiast photographers who appreciate and use the camera's advanced features and versatility. Although some will be interested in a more affordable option in the form of a Fujifilm X-A1 camera, which is much cheaper and does not have an optical viewfinder, but offers many functions and elements manual control. It has high ISO performance and produces excellent image quality in its class. And the saved budget can be invested in an additional lens.
Olympus OM-D E-M1
OM-D E-M1 is Olympus's flagship mirrorless camera in the Micro 4:3 series (Micro Four Thirds System - MFT standard). It was developed with a full range of advanced technologies to provide photographers with maximum creative freedom.
Olympus E-5 is a professional digital SLR camera released back in September 2010. Two years earlier, the manufacturer launched its Micro Four Thirds system with Panasonic. Since then, Olympus has focused all its efforts and resources on improving the MFT series, shrinking the DSLR market in favor of mirrorless cameras. The absence of a reflex mirror allowed the production of smaller, thinner camera bodies and smaller lenses, which contributed to the growing popularity of the new products among amateur photographers.
By concentrating all resources on the development of mirrorless cameras with interchangeable lenses, Olympus was tasked with creating a new universal flagship model that could attract professional photographers.
Size comparison of Olympus E-5 and E-M1
If you compare the E-5 and E-M1, you will immediately understand what makes the MFT system so unique and visually appealing. Of course, some photographers prefer to shoot with a reliable, large and ergonomic digital camera. SLR camera. Especially for this category of users, it is possible to attach an HLD-7 battery grip to the E-M1.
Build quality
The OM-D E-M1 body is made of magnesium alloy with protection against dust, splashes and low temperatures down to -10°C, plus an ultrasonic wave filter SSWF (Super Sonic Wave Filter) to protect the sensor from dust and other unwanted impacts. Thus, the camera is designed for reliable and safe outdoor shooting.
You will see the reliability of the weather seal by watching the video below, skip straight to 5 minutes. 20 sec:
As you can see, it is not afraid of heavy rain, but this camera is still not waterproof, so do not use the OM-D E-M1 underwater.
The developers of the Olympus OM-D E-M1 system camera have made sure that all the necessary keys are included to provide quick access to frequently used camera settings, so there is no need to configure them via the LCD display.
Dual autofocus system
The E-M1 features a new 16-megapixel Live MOS sensor and a "Dual fast AF" system that takes advantage of contrast and phase focusing when using Micro Four Thirds lenses. When you attach Four Thirds lenses via an adapter, the camera detects them automatically and switches to phase detection autofocus only.
The E-M1's autofocus system uses 81 points for contrast AF and 37 for phase detection, ensuring fast and accurate focusing, especially appreciated by professional photographers. The OM-D E-M1 also features various autofocus modes, including Face Detection and Eye Detection, Super Spot AF which is great for macro photography, Small AF which reduces the size of the AF target allowing for more precise focusing.
Advanced Electronic Viewfinder
On the rear panel you'll find a large 0.74x (35mm equivalent) electronic viewfinder with 2,360,000 dots of resolution and 0.029 sec time lag, which uses Olympus Adaptive Brightness technology for bright, realistic color reproduction. The viewing experience is almost like using an optical viewfinder. One more interesting feature This is the Color Creator feature, which allows you to use the two dials on the top of the camera to change the hue and saturation of an image. Moreover, changes can be made while viewing through the electronic viewfinder.
5-axis in-body image stabilization
This is one of the most useful features. The E-M1 comes with the proven 5-axis optical image stabilization built into the body. It copes with image blur by compensating for camera movement in 5 axes, including wobble, deflection, horizontal shift, vertical shift and rotation around the optical axis. Stabilization is provided by 4 stops of compensation, which means that if you shoot a photo at a shutter speed of 1/250 sec to get a sharp image, you can set the shutter speed for the same scene to 1/15 sec. and still get a sharp image.
Video: Steve Huff
The Olympus OM-D E-M1 camera has won many prestigious awards and is very highly appreciated from leading commentators. It was created for serious photographers, but hardly for videographers. Key benefits include a durable, rugged body, strong autofocus performance, an attractive retro design, superb image quality, a large, bright viewfinder, and plenty of built-in customizable settings.
At the time of writing, the OM-D E-M1 costs about $1,300 for body only, which is about the same as the X-T1 (body only), so many photographers are hesitant between these two models. On the one hand, we have Olympus' flagship Micro Four Thirds series and many lenses to choose from. On the other hand, the X-T1 is a premium camera that comes with a unique Fujifilm sensor, a wide range of controls, attractive specifications and compatibility with a fleet of high-quality X-mount lenses.
Comparison table with characteristics of Fujifilm X-T1, Fujifilm X-E2 and Olympus OM-D E-M1 cameras
| Fujifilm X-T1 | Fujifilm X-E2 | Olympus OM-D E-M1 | |
| Release date | January 28, 2014 | October 18, 2013 | September 10, 2013 |
| Housing material | magnesium alloy, aluminum | High quality plastic, magnesium alloy top and bottom plates, metal discs | magnesium alloy |
| weather seal | no weather seal | protection from dust, splashes and low temperatures down to -10ºС | |
| Sensor |
|
|
|
| Autofocus system |
Hybrid Intelligent Autofocus (49-point contrast detection, 9-point phase detection) |
Hybrid Intelligent Autofocus (49-point contrast detection, 9-point phase detection) |
fast dual autofocus (contrast 81 points, phase detection 37 points) with Micro Four Thirds lenses - hybrid focusing with Four Thirds lenses - phase detection only |
| CPU | EXR II | EXR II | TruePic VII |
| ISO range |
|
200 - 6400 | 100 - 25600 |
| Built-in image stabilization system | No | No | 5-axis optical image stabilization in body |
| RAW | yes (14 bit) | yes (14 bit) | yes (14 bit) |
| Autofocus illuminator | There is | There is | There is |
| LCD screen |
3-inch 1040K dots, oblique (90º up, 45º down) non-touch |
3-inch 1040K dots, fixed non-touch |
3-inch with a resolution of 1037 thousand. points, inclined (80º up, 50º down) sensory |
| Viewfinder | electronic, 2.36 million pixels, 100% coverage, magnification, 0.77x | electronic, 2.36 million pixels, 100% coverage, magnification 0.60x-064x | electronic, 2.36 million pixels, 100% coverage, 0.74x magnification |
| Shutter speed | 30-1/4000 sec. | 30-1/4000 sec. | 60-1/8000 sec. |
| Built-in flash | no (miniature external flash included) | There is | no (small external flash included) |
| Connecting an external flash | via hot shoe | via hot shoe | via hot shoe |
| Flash sync speed | 1/180 sec. | 1/180 sec. | 1/320 sec. |
| Continuous shooting speed | 8 fps | 7 fps |
10 fps (C-AF+Tr) |
| Exposure compensation | ±3 frames (1/3EV increments) | ±3 frames (1/3EV increments) | ±5 frames (in steps of 1/3EV, 1/2EV, 1EV) |
| Exposure bracketing | ±1/3EV, ±2/3EV, ±1EV | ±1/3EV, ±2/3EV, ±1EV | ±2 (2, 3, 5, 7 frames in steps of 1/3EV, 2/3EV, 1EV) |
| White balance bracketing | There is | No | There is |
| Film Simulation Bracketing | There is | There is | No |
| HDR bracketing | There is | There is | There is |
| ISO bracketing | There is | There is | There is |
| Flash bracketing | No | No | There is |
| Bracketing by art filters | No | No | There is |
| Video recording (maximum resolution) |
1080p60 (progressive) up to 14 minutes stereo microphone |
1080p60 (progressive) up to 14 minutes stereo microphone |
up to 29 minutes stereo microphone wind noise reduction |
| Microphone input | There is | There is | There is |
| Headphone port | No | No | No |
| Wireless communication | built-in Wi-Fi | built-in Wi-Fi | built-in Wi-Fi |
| Battery Endurance (CIPA) | 350 shots | 350 shots | 350 shots |
| Dimensions | 129 x 90 x 47 mm | 129 x 35 x 77 mm | 130 x 94 x 63 mm |
| Weight | 440 g | 350 g | 497 g |
ISO performance comparison
The analysis is based on studying image samples from the resource.
When comparing the X-T1 and X-E2, the ISO performance is excellent. Surprisingly clean images at ISO 3200. However, the X-E2 produces slightly cleaner images overall. Thus, the difference is noticeable, but only when viewing the image at 100% scale, otherwise it is difficult to see. This doesn't mean the X-T1 has poor performance. Both cameras performed very well, with a slight advantage in favor of the X-E2.
When comparing the X-E2 and OM-D E-M1, the E-M1 produces more natural colors, but the images are a little noisier when going to ISO 3200 and above. The OM-D E-M1, with its smaller Micro Four Thirds sensor, simply can't keep up with the X-E2. However, you will be surprised how fast the performance of this MFT sensor is.
The X-E2 takes the lead with better high ISO performance.
Examples of videos shot with three cameras
Video taken with Fujifilm X-T1 from DPReview:
Video taken with Fujifilm X-E2 from DPReview:
Video taken with Olympus OM-D E-M1 from imagingresource:
Conclusions
This is not an easy choice. Every camera has its strengths and weaknesses.
The X-T1 is mainly criticized for its button size and placement, weak video mode and relatively lagging image quality. But this camera boasts excellent build quality and weather sealing, an excellent viewfinder, a very good quality image and high ISO performance, fast and accurate autofocus, silent operation, high speed continuous shooting, built-in Wi-Fi and compatibility with a wide selection of high-quality lenses.
The differences between the X-E2 and X-T1 are quite obvious: lack of weather sealing, poorer build quality, fixed LCD display, smaller viewfinder, slower burst speed and lack of UHS-II support. On the other hand, the X-E2 is smaller and lighter, has a pop-up flash, has superior ISO performance, and is lower priced. For many users, the X-E2 may be the ideal mirrorless camera at around $940, down from $1,300. for X-T1.
Differences between Olympus OM-D E-M1 and X-T1: E-M1 is characterized by more high resolution touchscreen LCD display, faster maximum shutter speed, faster continuous shooting speed, more autofocus points, built-in image stabilization, more advanced video recording features, faster flash sync speed and a wider selection of interchangeable lenses.
On the downside, the E-M1 lags in high ISO performance analysis, has a smaller and less flexible viewfinder, lacks UHS-II compatibility, and has a smaller sensor size. The E-M1 and X-T1 cost about the same.
Many users will be drawn to the E-M1's design and build quality, as well as its useful 5-axis image stabilization. The optics fleet is also much more diverse and you can find high-quality but inexpensive Micro Four Thirds lenses (X-series optics are exclusively in the expensive price range). Although the X-T1 offers high image quality, a large viewfinder, a unique design and many built-in features.
If your budget is tight, the X-E2 is a great choice. Additionally, you may want to consider purchasing a second lens. If you have available funds, consider purchasing a more expensive one Fujifilm camera X-T1.
Fujifilm recently introduced its latest system camera, the X-T1.
Having saturated the market with a number of entry-level and mid-level system non-DSLRs, the manufacturer again turned towards photographers with professional requirements to the equipment. We can say that the first circle of development of X-series system cameras has come full circle: after all, the first in this series was the X-Pro1 camera, which is clearly and still positioned as a top model with professional characteristics.
Each of the previous new products carried individual improvements, but now the manufacturer considered it timely to put them all together and put them in a strong, well-protected case in order to offer an almost universal photographic tool to the most demanding photographers, including professionals.
Main Features
- 16MP X-Trans CMOS II APS-C sensor
- Dust- and splash-proof housing and increased frost resistance
- Expandable sensitivity up to ISO 51,200
- High-resolution, high-magnification electronic viewfinder
- Flip-out LCD screen
- Continuous shooting with continuous AF up to 8 fps
- High performance of all systems
- “Analog” controls for basic parameters
- Six programmable function buttons
- Battery grip (optional accessory)
X-T1 Specifications
| Class | Digital non-mirror system camera |
| Matrix | CMOS, X-Trans II, size 23.6 x 15.6 mm (APS-C), 16.3 MP (4896 × 3264) |
| Viewfinder | EVI, organic light-emitting diodes (OLED), 2.36 million dots, x0.77 Adjustable by vision |
| Photo format | JPEG, RAW, RAW+JPEG |
| Photosensitivity | ISO 200-6400, expandable to ISO 100, 12800, 25600, 51200 |
| Shutter speed range | 1/4000-30 s, free (up to 60 min.), sync speed 1/180 s |
| Continuous shooting | 8 fps - JPEG up to 47 frames, RAW or RAW+JPEG up to 23 frames in a series; 3 fps - JPEG until the card is full, RAW up to 100 frames in a series |
| Focusing | Hybrid TTL autofocus: contrast detection (49 zones) and phase shift detection on the shooting matrix; tracking, one-time, continuous; manual with electronic rangefinder |
| Flash | Includes external EF-X8, HF 11 (for 200 ISO) Supports long exposure and 2nd curtain sync; Supports TTL wireless control of external linked flashes |
| Video | Full HD: 60p/30p, up to 36 Mb/s (up to 14 minutes of continuous recording) HD: 60p/30p (up to 27 min. continuous recording) MOV format, H.264 codec |
| Screen | Rejectable, 3 inches, 1.04 million dots |
| Memory | 1 SD/SDHC/SDXC card slot (UHS-II supported) |
| Communications and interfaces | Wi-Fi, mini-HDMI, USB 2.0; connector for external microphone |
| Nutrition | Lithium-ion battery NP-W126 |
| Other | 10 film simulation modes; 8 creative filters; built-in RAW converter |
| Dimensions and weight | 129 × 89.8 × 46.7 mm 390 g (body only), 440 g (with battery and memory card) |
| Additional accessories | Overhead handle MHG-XT; Battery Pack/Vertical Grip VG-XT1 |
Appearance
The main external feature of the X-T1 is its, as they say now, form factor. While all the other X-series cameras look like classic rangefinders, this one looks like a DSLR without actually being one. 
It is appropriate to recall here that Fujifilm also has its own rich experience in the production of SLR cameras. The first of them, Fujica ST701, was released in 1970. True, the development of film SLRs was stopped in 1985, but that's another story.
The area occupied by the camera is almost the same as that of the previous new X-E2. And only the part that is DSLR cameras called a pentaprism casing (well, or a pentamirror) and hides an electronic viewfinder with excellent characteristics, which we will talk about below, which sharply distinguishes the new product from all other cameras in the “X” series.
Second the most important moment- classic, “analog” controls for the main parameters on the top panel. Shutter speed, exposure compensation, “film advance mode,” metering type, and light sensitivity are selected using dials that have visual symbols. Another useful “analog” switch is located at the bottom right of the bayonet mount when looking at the camera from the front. It switches focusing modes: automatic continuous, automatic single and manual.
The same X-E2 and X-T1 as in the photo above.
At the same time, the “analog” controls are organically complemented by two convenient “twists”, front and rear. From the rear, the X-T1 is fundamentally no different from the others digital cameras, having the usual set of buttons and a push-button analogue of the joypad. The three-inch megapixel screen flips out, allowing you to conveniently shoot with the camera in Live mode View, looking at her both from above and from below. By the way, it is protected by tempered glass of special strength.
Internal content
Speaking about the internal contents of the new camera, first of all we should note the graphics processor - the electronic brain that allows you to most effectively extract the information received by the matrix. Here there is a tandem of second-generation nodes: X-Trans CMOS II CMOS matrices with a proprietary (non-Bayer) distribution of color filters on pixels and an EXR II processor.
At the same time, as already noted, one of the main features of the new camera is a new electronic viewfinder (EVF) based on an organic light-emitting diode (OLED) display. Not only does it have a huge resolution (about 2.36 million pixels), thanks to which the image does not look pixelated and digital. It is also quite large: with an equivalent magnification factor of ×0.77, it is somewhat superior as an optical viewfinder Canon cameras EOS-1DX, as well as the excellent EVI of the Olympus OM-D E-M1 quasi-mirror camera (which, as you can see in the picture on the right, has a slightly different aspect ratio). On at the moment it is the largest large-magnifying viewfinder among digital cameras, both types, both optical and electronic. Compared to the good viewfinder of the Fujifilm X-E2 camera, its area has become 1.6 times larger.
We also note that the camera body is cast from durable and lightweight magnesium alloy and has about 80 sealing points to protect against dust and moisture. In addition, the X-T1 camera has increased frost resistance; The manufacturer guarantees its reliable operation at temperatures down to –10°C.
Optics
Optics are certainly also strong point the camera in question. In general, Fujifilm has been developing and producing Fujinon optics of very high quality for a long time. The company has a lot of excellent lenses behind it for both small format and very decent medium format cameras. It is no coincidence that the legendary Hasselblad collaborated with Fujifilm in the development and production of optics for its autofocus digital medium format cameras, and a very interesting narrow-field panoramic camera, sold in America and Europe as the Hasselblad X-Pan, even received the informal nickname “Fujiblad” among the people.
The camera we received for testing was equipped with a standard zoom lens Fujinon XF18-55mm f/2.8-4 R LM OIS. In 35mm equivalent its focal length is 27-84mm; This is far from the largest range of focal lengths, but it is quite sufficient for most everyday shooting tasks. In addition, attention is drawn to the increased aperture ratio, albeit slightly, compared to the main models of competitors.
Since the testers working for you also have Fujifilm equipment in their arsenal, the matter is not limited to just one lens. The second workhorse of our tests was the long-focus zoom Fujinon XF55-200mm f/3.5-4.8 R LM OIS. Its equivalent focal length is 84-305 mm; Thus, both zooms form an almost universal tandem.
Both lenses have an effective built-in optical image stabilization system, which allows you to confidently shoot handheld, going beyond the traditional shutter speed limit by a good four stops. If the photographer’s hands are steady, you can continue to take risks, but preferably by making duplicates; even with five or six shutter speeds exceeded, it is quite possible to get a sharp frame, at least one of several.
The existing range of discrete lenses includes seven models, from the Fujinon XF14 (21) mm f/2.8 R ultra-wide angle lens to the XF60 (91) mm f/2.4 R Macro lens. Of particular note is the ultra-compact “pancake” XF27 (41) mm f/2.8 and two particularly fast lenses - the “Bresson” wide-angle XF23 (35) mm f/1.4 R and the portrait lens XF56 (85) mm f/1.2 R. Among the zooms, the convenient wide-angle zoom XF10-24 (15-36) mm f/4 R OIS should also be mentioned.
It would not be amiss to recall that autofocus optics for this system are also produced by Carl Zeiss. This famous German brand today produces three excellent discrete lenses in the Zeiss Touit series: an ultra-wide angle 12 (18) mm f/2.8, a standard lens 32 (48) mm f/1.8 and a macro telephoto 50 (75) mm f/2.8 . It produces optics for Fujifilm cameras and Samyang, known to our readers. In this line, photographers will find an 8 (12) mm f/2.8 fisheye lens, a 16 (24) mm f/2 wide-angle lens, and a 300 (450) mm f/6.3 long-focus reflex lens. Available in X-mount and tilt-shift Samyang 24 (36) mm f/3.5.
In addition, the range of branded accessories includes an adapter that allows you to install optics for rangefinder Lakes on “X” cameras.
In the near future, three more Fujinon XF zooms of the WR subseries should appear - with improved dust and splash protection to match the camera in question. These will be standard and long-throw zooms with a constant f/2.8 aperture and an equivalent focal length of 16-55 (24-84) and 50-140 (75-210) mm, as well as a universal superzoom 18-135 (27-203) mm with variable aperture.
A common feature of all of the lenses listed, except for the “pancake” lens, is the presence of an electronic aperture ring with a small switch. In position “A”, the aperture is set automatically by the camera, and in the opposite position, indicated by the aperture icon, this aperture must be selected manually by rotating the ring. This technique, by the way, fits perfectly with the “analog” control concept of the X-T1 camera.
To be fair, let us recall that the proprietary line also includes two particularly compact budget zoom lenses of the XC series, a standard and a telephoto one. They were designed to be lighter and compact cameras"X" series and do not have an aperture ring. Of course, you can use them on the new camera (the aperture will be selected by one of the “knobs”), but, to be honest, these optics do not seem serious enough to us for the X-T1.
ISO
As we have repeatedly noted, all Fujifilm X-series cameras demonstrate excellent performance when shooting at high sensitivity values. Of course, the new camera is no exception. The standard range of values, conveniently selected by a dial on the top panel, extends from 200 to 6400 ISO. There is also one low value (100) and three high ones: 12800, 25600 and 51200 ISO, but in this case shooting is only possible in JPEG.
It was this plot that we decided to use to test the camera’s performance at different sensitivities.
It should be said that designers have not yet learned to deceive physics, and general rule- the lower the sensitivity, the higher the quality - this is also true for the X-T1 camera. However, adjusted for excellent mathematics and an excellent matrix. Up to ISO 1600, noise, which increases primarily in the shadows, is quite acceptable, and if you plan to shoot in RAW and then process the RAW files, you will not have any noticeable problems. In many cases, even 3200 ISO can be considered a completely working value, especially if you plan to use a small image rather than a full 16-megapixel image. And only at 6400 ISO, high sensitivity artifacts become quite noticeable in the shadows, reducing the clarity and color rendition of details. Although not to a critical level, which you can easily see for yourself in our test image.
When you click on the image, an assembly of identical fragments of the image taken will open in a new window. Fujifilm camera X-T1 at all major ISOs.
And only when switching to ultra-high values does the image begin to seriously suffer from digital “sand”, which already covers the light areas of the picture. However, such photosensitivity values are in any case used by photographers as a kind of last resort foul, when the task of taking at least some kind of photo is more important than the task of obtaining an image of high technical quality.
Shooting practice
First of all, I would like to say kind words about the viewfinder. It can easily be called exemplary for a digital camera of 2014. And it’s not just the large and clear picture (resolution 2.36 megapixels!), which you see in “full-frame” mode.
The image lag time in it is only 0.005 s according to the manufacturer, and the refresh rate is increased to 54 frames/s. We did not take our own measurements, being satisfied with the feeling that this delay was practically absent, and the image did not seem to flicker or jump.
The viewfinder display has several operating modes. In “FULL” mode, the image is displayed at maximum magnification and occupies the entire field of the viewfinder. In “normal” mode, the image is slightly smaller, but the displayed shooting parameters are more visible. The most interesting mode is “DUAL”: in this mode, the image in the viewfinder is divided into two zones. One shows the whole frame, and the other shows an enlarged fragment of the image for manual focusing, which is assisted by two special functions: highlighting precise focus (Focus Peak Highlight) and even a digital wedge (Digital Split Image - a digital analogue of Doden wedges on the focusing screen of a non-autofocus SLR) . When shooting in portrait format in full and normal modes, the image and information display also take on a vertical orientation.
I will dwell in more detail on manual focus assist modes. In the “focus peaking” mode, sharp edges and boundaries are highlighted with brightness, and the color of the highlight can be selected. It can be white, red or blue (red and blue have two shades to choose from).
Screen image in Live View mode; on the left is autofocus, on the right is red “focus peaking”.
The second mode is digital “wedges”. It has not yet been perfected, but someone may well like it. The most unsharp image in the central “wedged” zone is most similar to the image of noise on a TV that is not tuned to the signal of the television transmitter. As it approaches the exact focus, the image takes on the features of this same wedging along four stripes, and at the moment of precise focus, the sharpest image in all four stripes merges into a single whole. In general, it should be admitted that Doden wedges on the focusing screens of good film DSLRs worked more clearly, however, here, taking into account the ability to enlarge the central zone to the entire field (of the viewfinder or screen) and the presence in the field of view of a distance scale, along which the indicator moves along with the rotation of the focusing ring distances, manual focusing is also not a difficult task. As they say, not for everyone.
Image on the screen in wedge mode (normal mode and full screen zoom); on the left is maximum defocus, on the right is precise focus.
In general, I must say that in this camera the electronic viewfinder has won a complete and unconditional victory over any high-quality optical viewfinder. There was only one downside to it (more about this in the “Disadvantages” chapter).
The autofocus system uses phase shift detection and is characterized by impeccable performance; According to the manufacturer, its response time is 0.08 s, and we agree with this figure. At the same time, it works perfectly in high-speed burst mode, providing up to eight sharp frames per second. In general, all camera systems are enviably fast. Especially if you use the latest SDHC UHS II memory cards as a storage medium. The length of the maximum series of RAW frames at a low continuous shooting speed reaches 100 (one hundred) “shots”, and at a high speed - twenty-three. In this case, a full buffer is emptied in just 9 seconds (with less modern cards this time can be 15 seconds or more). By the way, when it comes to the maximum burst length, the number of frames that the camera is capable of capturing at the stated speed is indicated. However, shooting does not stop, only its regular speed drops, since the next frames are taken as space becomes free in the buffer memory
The camera fits perfectly in the hands. It seems that the handle is not very large, but in combination with a very ergonomic projection under the thumb of the right hand, it provides a reliable hold with one hand, even if a relatively large long-focus zoom is installed on the camera. This, by the way, distinguishes the X-T1 model from the more compact and lightweight cameras in the series. At the same time, ergonomics can be further increased by screwing a bracket with an attached handle MHG-XT to the tripod nut (its absolute advantage is that it does not block access to the battery compartment) or acting in a completely professional way: placing a vertical handle VG-XT1 on the camera, which is also a battery pack.
The “analog” concept of controlling the main parameters is quite convenient. At the same time, the photographer is not obliged to obey the need, for example, to set only shutter speed values fixed on the dial; The front rotary dial allows you not only to switch shutter speeds in 1/3-stop increments, but also to select long shutter speeds when the shutter speed dial is in the “T” position.
The VIEWMODE button on the side of the “prism housing” controls the type of sighting. With its help, you can forcefully switch the camera from the screen to the viewfinder (usually this is done by a sensor that automatically turns off the screen and turns on the viewfinder when the camera approaches the eye). Or you can set the “viewfinder with sensor” mode; then the camera will not turn on Live View on the screen when you remove the camera from your eye; instead, the sensor will simply turn off the viewfinder to save power.
For greater ease of use, you can customize the functionality of as many as six buttons at your discretion. One of them is located in front, it is convenient to press it with the middle finger of your right hand. The second is located between the shutter speed dial and the exposure compensation dial. The functionality of all four buttons, which form something like a joypad, can also be configured. By the way, they don’t even have any additional designations. These buttons can be used to assign functions such as aperture repeater, macro mode, image quality or size, dynamic range, film simulation, focusing zone and about the same number of other options. Moreover, for example, if you assign the same focusing zone selection function to all four joypad buttons, the joypad will become a convenient tool for moving the active zone across the frame at any time, without the need to enter a special zone selection mode. In addition, you can mutually switch the functions of the front and rear rotary disks.
The camera can be controlled remotely from smartphones and tablets thanks to wireless connectivity and the free Fujifilm Camera Remote app. From a portable gadget you can select the desired film simulation mode, control autofocus, white balance, flash, shutter release and other functions. Wi-Fi support also provides the ability to back up data to a laptop.
The camera does not have a built-in flash, but the kit includes a miniature external flash, the EF-X8, which is mounted on a shoe and supports all modern flash functions. Considering that the shoe is installed on top of the prism pseudo-casing, and the flash itself is additionally raised in the working position, the lens mounted on the camera does not block the flash light even at minimal shooting distances. At the same time, on the front panel of the camera there is also a regular PC sync contact, with which the camera can be connected to studio pulse devices.
Among the interesting features, it is worth noting the presence of a built-in timer for time-lapse photography. You can select the interval between frames from one second to 24 hours and set the delay before starting the program from one minute and also up to a day. The only thing missing is special program for automatically stitching individual frames into a single video, but it’s not bad without it.
Flaws
During the first week of vigorous use, some shortcomings, of course, surfaced. I hope you understand that there are no cameras without flaws, especially if they end up in the hands of professional critics :)
I would like to note a feature traditional for Fujifilm X cameras: the exposure compensation input dial located on the top panel on the right is not fixed in any way, even if only in the zero position. If you grab the camera from the case to take a photo offhand, it is possible that you will accidentally move this disk and not immediately notice the corresponding indication. If you have experience using X series cameras, this will not be a surprise to you. 
True, here, to rotate this disk, more force is required than on other cameras in the series, precisely to prevent accidental switching. However, because of this, not every user will be able to rotate it in one motion thumb right hand, without lifting the camera from the viewfinder; Most likely you will have to use two fingers.
The situation with the exposure compensation input dial seems all the more strange because next to it we have two entire discs, on which the task of fixing the value is solved differently: at the photosensitivity dial, all values are fixed, at the shutter speed dial - only position “A”; To unlock in all cases you need to press the central button. What prevents you from doing the same for exposure compensation is unclear.
I would like to give more travel or clearer response to the buttons that form the joypad. They are made almost flush with the body and have a soft short stroke. Apparently, this was done to simplify moisture protection and prevent accidental clicks. However, when you need to quickly switch the focusing area, you won't be able to do it as clearly and clearly as on other models. I believe that wearing gloves in the cold will make the problem worse.
Some disadvantage is that time-lapse shooting is started not with the shutter button, but with the “OK” button. The fact is that when you press this button, even a camera mounted on a good tripod will probably move. This can be avoided by setting a response delay - but such a delay cannot be less than one minute. We hope that in the next version of the camera firmware this situation will be optimized either by moving the shutter release to a traditional shutter button, or by providing the ability to make the usual pre-shoot delay (about two seconds).
A weak point was also discovered during studio tests. When you set the white balance under studio flash light, the image on the screen or in the viewfinder instantly turns yellow due to the difference in temperature between the modeling light and the working light. Since the camera is positioned as a professional one and even has a simple sync contact, I would also like to have a corresponding flash viewing mode with color correction (which, obviously, is easily implemented in software and can easily be added when updating the firmware).
Another nitpick is the inability to use a classic mechanical cable release to release the shutter; For some reason the thread from the shutter button disappeared.
At the same time, let me remind you that at the time of “going to print” of this article, testing of the camera was continuing, and it had moved from prosperous Moscow to very extreme conditions. Perhaps this section will be supplemented :)
Shooting quality and test photos
Shooting quality - main criterion, by which we judge the camera. Here we did not expect any special miracles; It was assumed that the image quality would be at the level of the X-E2 (and, if we are being formalist, then the X100S). In general, this is how it turned out. And this is good, because at the end you will get accurate exposure, well-chosen white balance and excellent color rendition, possibly corrected for your favorite Fujifilm film. And if you already use one of the non-mirror cameras from Fujifilm, the quality and techniques of working with images will be quite familiar to you.
The X-T1 camera shoots, let’s not be afraid of this word, excellent JPEGs, but high art, as we know, requires RAWs. There are no problems with them: latest version Adobe Camera RAW and Lightroom don't just support them; they support the main brand feature, that is, stylization for photographic films (confirming screenshot on the right). A professional may not need to shoot RAW+JPEG at all, because the software will allow him to do everything he needs. Moreover, the quality of pictures after such processing is even better than that of “camera” JPEGs. But if you suddenly need JPEG urgently, the camera retains the proprietary feature of all other cameras in the series, that is, a built-in RAW converter.
As material confirmation of all of the above, we publish footage captured with a new camera specifically for our magazine by Eduard Kraft, Sergei Romanov, Lena Volkova and Vladimir Morozov. All published images were taken in RAW and processed by Adobe Camera RAW in automatic mode, who copes with his duties superbly.
So, take a look at our gallery for yourself.
XF18-55mm f/2.8-4 R LM OIS lens; f.r. 55 (84) mm; 1/180 sec, f/16, 200 ISO. Studio pulsed light.
Imitation of Provia film. By viewing the full-size image, you can see the camera's high level of detail, even with the stock zoom lens, and appreciate the Provia's superb colors. © Vladimir Morozov.
XF18-55mm f/2.8-4 R LM OIS lens; f.r. 55 (84) mm; 1/30 sec, f/4, 1600 ISO. Handheld shooting.
Macro photography. Shooting handheld in macro mode at long shutter speeds and high ISO. Output: 1600 ISO -
quite working value(noise in the shadows is more like film grain than digital noise), the turned on stabilizer worked at 5 points.
XF18-55mm f/2.8-4 R LM OIS lens; f.r. 27.7 (42) mm; 1/500 sec, f/8, 200 ISO.
Shooting against the sun. The picture clearly shows that the camera is not prone to optical aberrations.
XF18-55mm f/2.8-4 R LM OIS lens; f.r. 18 (27) mm; 3.5 sec, f/2.8, 200 ISO.
The camera measured the exposure perfectly with a 10-stop ND filter and worked with a long shutter speed of 3.5 seconds. © Eduard Kraft.
XF55-200mm f/3.5-5.6 R LM OIS lens; f.r. 122 (183) mm; 1/350 sec, f/11, 200 ISO.
University. Setting sun, enhanced by imitation Velvia film. © Vladimir Morozov.
XF55-200mm f/3.5-5.6 R LM OIS lens; f.r. 67 (101) mm; 1/100 sec, f/11, 200 ISO.
The photo well illustrates the camera's wide dynamic range and very correct automatic white balance. © Eduard Kraft.
XF55-200mm f/3.5-5.6 R LM OIS lens; f.r. 200 (300) mm; 1/80 sec, f/5.6, 200 ISO.
The photo was taken from a low point with arms outstretched using the camera's flip-up monitor. In equivalent, the focal length of the lens was 300 mm, and the shutter speed was 1/80 s - praise to the built-in stabilizer. © Vladimir Morozov.
XF18-55mm f/2.8-4 R LM OIS lens; f.r. 50.5 (76) mm; 6 sec, f/10, 200 ISO.
Photographer Eduard Kraft.
XF18-55mm f/2.8-4 R LM OIS lens; f.r. 55 (84) mm; 2 sec, f/10, 200 ISO.
Shot on a tripod in long shutter speed mode, colors enhanced by Velvia film imitation. © Eduard Kraft.
XF18-55mm f/2.8-4 R LM OIS lens; f.r. 20.5 (31) mm; 4 sec, f/11, 200 ISO.
Shot on a tripod in long shutter speed mode, colors enhanced by Velvia film imitation. © Eduard Kraft.
Portrait. The camera is quite convenient to shoot in the studio with pulsed light; to do this, in the “screen settings” menu you need to turn off the exposure display mode. © Lena Volkova.
XF18-55mm f/2.8-4 R LM OIS lens; f.r. 55 (84) mm; 1/180 sec, f/8, 200 ISO.
Fashion. Convert to b/w using the camera's built-in converter. © Lena Volkova.
XF18-55mm f/2.8-4 R LM OIS lens; f.r. 55 (84) mm; 1/180 sec, f/5.6, 400 ISO.
Genre. Shooting in a studio with constant Dedolight. Convert to b/w using Adobe Camera Raw. © Sergei Romanov.
At this link you can download all the proposed test images in full resolution in JPEG format, as we received them after processing in Camera RAW. If you want, you can practice with RAW files yourself: to do this, download RAWs by clicking on this link (attention, traffic!).
To be able to fully process images captured by the X-T1 (as well as other latest products from Canon, Hasselblad, Nikon, Samsung, Sony, etc.), you will have to download “release candidates” (working and tested versions, for now) from the links provided. versions that have not passed mass testing by users) software for Adobe CS6 or CC software packages:
Final conclusions
To summarize the above, we must honestly say that the new camera certainly and rightfully occupies the position of the top model in the Fujifilm X family of cameras. In general, the X-T1 camera fully meets the requirements usually placed on professional photographic equipment. It is designed to be durable, reliable and very fast. And its electronic viewfinder, obviously, will become a “reference point” for some time; it is with it that the EVI of other cameras will now be compared for compliance with international standards and last word technology.
In addition, it should be noted that the design is noticeably retro-oriented. As already noted, the camera falls somewhere between Olympus cameras OM-D E-M1 (top non-DSLR of the micro-4/3 system with a “mirror” form factor and a professional functional set) and Nikon Df (top DSLR with a “traditional” interface concept).
Without a doubt, the X-T1 camera will compete not only with non-mirror system cameras, but also with real DSLRs, and not only with the already mentioned Nikon Df model, but also with quite mass-produced mid-range and “upper-mid” level models, like Canon EOS 70D and analogues of other brands.
While the article was being prepared for publication, the X-T1 camera had already gone on sale in the first stores. Its price so far practically corresponds to the previously announced recommended prices: 54,999 rubles. for the case and 69,999 rub. per set with standard XF18-55mm f/2.8-4 R LM OIS zoom lens. It's not cheap, but considering the professionally high performance and functionality, the price does not seem too high. However, this is clearly not a camera for everyone; Before investing in its purchase, make sure at a minimum that it fits comfortably in your hands. And if your first impression is positive, chances are you'll love this camera and it can reward you with great photos.
I recently tested a camera that produced a wow effect and left a very pleasant impression. This same effect was initially caused by both tactile sensations and appearance, which were supplemented during the test by admiration for the quality of the image produced.
Video review Fujifilm X-T1:
Those who like to “read diagonally” can immediately move on to conclusions, since in terms of image quality, the cameras are identical, and the wow effect from the appearance has not gone away. But still, the cameras have certain differences, which are discussed below...
At all, Fujifilm one of the last among major photo manufacturers to “jump” onto the already accelerated locomotive of mirrorless technologies in 2012. True, over the next 3 years the company managed to introduce a fairly wide range of cameras, but, most importantly, an even wider range of optics. This is a more than correct approach, deserving respect and indicating that the developer does not simply provide a product “because it is necessary” or because he is testing the market, but actually develops his technology and gives us a wide choice necessary tools for any pocket and for any task. Moreover, with a line of “mirrorless” optics Fujifilm Now only optics for systems can compete Micro 4/3 And Sony E.
The special charm of all mirrorless cameras from Fujifilm from the moment of their announcement there was retro style(now, not at last resort thanks to their efforts, this is no longer uncommon) and the stylization of cameras “to look like rangefinders.” X-T1- this is the first camera Fujifilm, made in pseudo-mirror format.
I must say that she looks simply gorgeous. The camera is heavy, and thanks to the protruding battery grip it fits very well in the hand. The body is monolithic, there is no play or creaking. Except that the plastic doors covering the connectors and card slot are somewhat disharmonious, but only tactilely. Externally, everything is impeccable.
The camera is not equipped with a built-in flash; instead, it comes with a small folding external flash that fits onto the hot shoe. Unfortunately, it was not provided for testing - so I can’t say anything about its work.
Again, this is the first waterproof and frost-resistant camera, capable of operating normally at temperatures down to -10. And for the test, together with her, Fujifilm provided one (there are four in total) of their top waterproof lenses - FUJINON XF50-140mm F2.8 R LM OIS WR.
A distinctive feature of all cameras in the series X is a large number of mechanical controls. In the case of X-T1, their concentration has reached its climax :) The entire camera is literally littered with wheels, buttons and controls. There is no point in describing the functional purpose of each element, so I will briefly dwell only on the features.
Traditionally, there is a change wheel, but in addition to it, a value adjustment wheel has also been added. Both have a locking button to prevent accidental movement. Moreover, the shutter speed wheel is locked only in the mode A, in the rest it rotates freely. The solution is reasonable, since if all positions were blocked, it would be inconvenient to use.
At the same time, the exposure compensation adjustment wheel is not equipped with a locking button. And if in case X-E2, it was recessed into the body so that you couldn’t accidentally catch it, then here I repeatedly, quickly taking the camera out of the case, moved it. And only when he saw in the viewfinder that “something was wrong” did he notice that the exposure had been adjusted... in general, you could lose a couple of seconds, and with them a good shot.
Super convenient solution which was missing E-X2, this is the presence of a mechanical wheel DRIVE(let me remind you, in X-E2 this is a button). On DRIVE- all shooting modes - from burst and bracketing to multiple exposure and creating a panorama. The wheel itself is under the regulator ISO.
I was also pleased with the presence of a mechanical setting of the metering mode (the wheel under the shutter speed dial). This is also very convenient, as it is always visible and you can instantly switch to compare ratings.
It is clear that you can do without all this “mechanics” by organizing all control through a software menu with information displayed on the screen. And it’s okay, if there is at least an additional information screen (as on “non-budget” DSLRs) on which the main parameters are displayed and always visible, because the main display (in my case, at least) is always dedicated to displaying the real picture, and also most often it is simply turned off to save battery. But once you try the analog “Fuji” control, you begin to catch yourself thinking that there is “something wrong” with other cameras and their control is somehow inconvenient.
A separate manual focus assistance key has appeared - Focus Assist. The idea is that the camera zooms in on part of the image area around the focus point, so we can see if we are in “focus”. The idea itself is great, but I regularly hit it with my thumb. After, button Focus Assist you need to press again to return everything “as it was”...again, the loss of precious seconds, and with them the loss of nerve cells.
And the biggest “ambush” is that this is one of the very few buttons that cannot be reassigned. Despite the fact that the camera has six programmable buttons. These are all four joystick buttons, one on the front of the case and one on the top.
In general, Fujifilm, there’s just some kind of urge to make certain functional buttons unchangeable (with controversial function assignments) and then look at the surprised reaction of users from such “know-how”. (U X-E2 the up button of the 4-way joystick is responsible for turning on the mode MACRO, it is also not programmable - a strange and illogical solution, as it seemed to me).
And a couple more points. All keys are recessed as much as possible. This was done, apparently, to please the stylish appearance. So to the owners large hands and thin fingers will have to adapt for some time in order to “get into” them.
In addition, the buttons Fn2(default - enable WiFi) and the video recording activation button were generally difficult to reach for me. The manufacturer, apparently, is hinting that this is a camera, not a video camera, and it was not created for video :)
U X-T1 a synchro contact has appeared for connecting studio light. Despite the fact that the rest of the cameras had an archaic threaded connector for connecting the mechanical remote control cable, for some reason it was removed here. This once again draws attention to professional orientation cameras. But it was with studio shooting that questions arose during the test.
Unlike DSLRs, which see the real picture “as it is,” for an electronic viewfinder with pilot lighting there is not enough light and what is happening is visible much worse. This is a feature that takes some getting used to. In the case of X-T1 still more interesting. “Flash” white balance is not provided at all, and the camera interpreted the pilot light “in its own way,” greatly distorting the color temperature “into yellowness.” At first it was simply confusing, and then it was not easy to get used to this “feature”.
And to the developers X-T1 I would like to say that if they assume that the camera can be filmed in a studio, then they need to bring all aspects of the work “to mind”, and not stop only at the synchronization connector for studio light.
Although the viewfinder itself is simply gorgeous. It's really huge with great detail. Among its other pleasant features:
- firstly, you can divide the image into 2 parts, one will display the real picture, and the second will display an enlarged area. For manual focusing, this is very convenient;
- secondly, when you turn the camera into portrait mode, all the information is also turned upside down - a small thing, but convenient. At least none of our competitors have anything like this yet.
For the first time (and finally) Fujifilm equipped their camera with a rotating display. It can be rotated 90 degrees when shooting from the floor and 45 degrees when shooting something overhead. In general, given good detail and viewing angles, this should be more than enough for any creative ideas. The screen is not touch-sensitive, but given the huge number of controls, this is not critical.
There is a chance that at least by the third generation, for the series X-T after all, the 21st century will come and we will see a touch screen from Fujifilm:)
Everything related to image quality was fully discussed in the review. U X-T1 the same one as X-E2, 16 megapixel X-Trans CMOS II proprietary matrix, with sensitivity range ISO200 - ISO6400(expandable to ISO100 below and to the limit ISO25600). Extended ranges do not allow shooting in RAW. This, by the way, is another reason why X-T1 difficult to attribute to the professional segment.
In a nutshell - X-T1 excellent image quality and very wide dynamic range. Open RAW-files in Adobe Lightroom and seeing HOW they can be “pulled out” is a pleasure. Below is an example of processed photos for clarity (on the left are raw photos, on the right are processed ones).
In addition, at X-T1 same as X-E2, the focusing system is hybrid with 49 contrast zones and auxiliary phase sensors. According to assurance Fujifilm, X-T1 should focus even faster. In real conditions, the camera is really very fast and autofocus does not fail. The autofocus tracking modes, as well as face focusing, work perfectly and are a great help in certain conditions.
X-T1- this is the first camera capable of working with ultra-fast new memory cards SD UHS-II. Unfortunately, so far they are presented very little, and they cost like an “airplane wing”, so it has not yet been possible to check whether their use gives any increase in speed.
Well, the last thing is X-T1 There is WiFi with normally implemented functionality. To realize all the possibilities, you need to download and install the application on your tablet or smartphone Fujifilm Camera Remote. With its help, you can remotely control shooting, adjust some camera settings, transfer photos from the camera to mobile device and set geotargeting for images (since the built-in GPS not in the cell). I would say that finally, this is an intuitive, easy-to-install, “humanely” implemented solution that is not inferior to the “leaders” of the market (primarily Panasonic Lumix ), which is convenient to use.
EXAMPLES OF PHOTOS:
To complete the experience, the camera was tested in different conditions - outdoors in bright and dark time, indoors with artificial dim light, in a studio. Next are photographs (for a more detailed study - they are clickable). We conducted the review together with the famous Kyiv photographer Andrey Koren, the owner of a wonderful photo studio NewTon, for which a HUGE GRATITUDE goes to him (and everyone who took part)! You can watch the testing process in more detail in our video test.
CONCLUSIONS:
CAMERA PROS:
- beautiful appearance;
- monolithic moisture-freeze-resistant magnesium alloy body;
- huge functional viewfinder;
- rotating display;
- excellent image quality up to ISO6400;
- very wide dynamic range;
- very fast and tenacious hybrid autofocus;
- continuous shooting at speeds up to 8 frames/sec;
- in-camera file conversion RAW V JPEG;
- the presence of auxiliary functions for manual focusing - focus picking (Focus peaking) and split image ( Digital Split Image);
- availability of time-lapse shooting, multiple exposure, dynamic range expansion functions ( D-Range) and creating panoramas;
- the presence of scales for distance to the object and depth of field, as well as an electronic level on the monitor;
- excellent implementation of functionality WiFi;
- support newest maps memory USH II.
CAMERA DISADVANTAGES:
- the display is not touch-sensitive;
- small memory buffer;
- video shooting is implemented “for show”;
- flaws with white balance when shooting in a studio with pilot light (nit-picking, perhaps, but since the camera is positioned as professional, this is a minus)
- No GPS
Fujifilm X-T1 is aimed at advanced amateurs and professional photographers, even those who plan to photograph in extreme conditions. So you can safely take it on a hike or for reporting in bad weather - it is not afraid of rain and snow (in conjunction with the same protected WR-lenses).
It’s pleasant to hold in your hands; while shooting, you get aesthetic pleasure from both the controls and the speed of operation. The viewfinder is a completely separate issue. In the near future, it will obviously become a starting point for comparisons and tests - as a standard of quality. Besides, X-T1 produces excellent image quality - highly detailed, clear, and the dynamic range of the images allows you to “pull out” literally any frame. This is despite the fact that exposure metering works above all praise even in difficult conditions, so you can shoot in JPEG, if, for example, you need to save space on the card or reduce sensitivity to ISO100.
Like Fujifilm X-E2, XT-1- this is, first of all, a camera in which everything (except for minor flaws) is brought to perfection, and video shooting is relegated to the background. Although, looking at how quickly the company eliminates shortcomings and develops its technology, I think this will not last long. I really liked the camera, it’s the kind of device you want to shoot and experiment with. And having picked up optics, this is not the first time I’m wondering whether to change the system.
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